Arts

How Change Capital Can Help Arts Organizations

Sector: 
Arts and Culture

See our webinar on how "Change Capital" can help transform arts organizations. The discussion includes brief presentations from The Wooster Group and Alvin Ailey Dance Foundation, 2 of the 10 companies participating in NFF's Leading for the Future Initiative, supported by the Doris Duke Charitable Foundation. In the webinar, we discuss how to:

  • Build a "risk reserve" fund for greater artistic freedom
  • Stabilize earned income
  • Generate incremental new revenue
  • Expand audiences

Publication Date: 
04/19/2012

Capitalization Planning

Publication Date: 
Tue, 01/17/2012 - 11:18am

Great art is often created without lots of money and can be enjoyed for many years. Great arts organizations without the right kinds and amounts of money, however, struggle to see another day.

Mission success for nonprofit arts organizations is reflected in the creation, sharing and appreciation of meaningful work.  Each organization has a different artistic vision and goals, as well as its own strategy for reaching and engaging audiences.  Behind every successful organizational strategy there should be a sound approach to obtaining and stewarding the financial resources required to support mission execution over time. This is a capitalization plan. At its essence, a capitalization plan serves as a roadmap for ensuring an organization has the cash and other assets it needs to manage risk and pursue opportunity.

Strategic plans often lack a rigorous financial foundation. They fail to consider the long-term financial resources needed to support program goals. And when they do include a financial plan, they often conflate regular revenue (ongoing) with capital (periodic), or neglect capital needs altogether.  While financial projections that quantify the future revenue and expenses associated with a strategy are critical components of any strategic plan, they are not enough.  Consideration must also be given to the organization’s long-term balance sheet –or capitalization– needs. 

A capitalization plan is really just an approach to building the right balance sheet. It should consider the kinds and degrees of artistic and organizational risk an organization can and wishes to tolerate, as well as the creative ambitions to which its leaders aspire.  Specifically, a capitalization plan should address an organization’s financial health and goals in the following three areas: liquidity, adaptability and durability.

  • Liquidity: having adequate cash to meet ongoing operating needs
  • Adaptability: access to flexible funds to adjust to evolving circumstances
  • Durability: assets to address a range of future needs

Capitalization planning is not one-size fits all

While the amount of adequate liquidity may differ by organization, cash is king for all nonprofits, regardless of size. Many organizations also need periodic access to flexible capital to pay for adaptation –whether related to growth, restructuring, program revitalization or even downsizing. 

"Arts scene finds bright spots in financial gloom"

Publication Name: 
The Atlanta Journal-Constitution
Publication Date: 
12/25/2011
Author: 
Rosalind Bentley

Alvin Ailey Dance Foundation

Sector: 
Arts and Culture

The Alvin Ailey Dance Foundation is one of ten participants in the Leading for the Future Initiative (LFF), which is a 5-year program generously supported by the Doris Duke Charitable Foundation. NFF created LFF to address nonprofit mis-capitalization by deploying 'change capital' to help arts organizations adapt their programming, operations and finances in ways that improve their long-term health. NFF is working closely with Ailey's leadership to transform the organization's use of technology in engaging and retaining patrons. Ailey has undertaken an institution-wide re-thinking of ways to serve audiences and forge new connections among several of the core businesses of the organizations: its two companies, school, boutique, and development operation.

Mission Statement: 
Alvin Ailey Dance Foundation is the umbrella organization that supports the activities of Alvin Ailey American Dance Theater, Ailey II, The Ailey School, Ailey Arts In Education & Community Programs and The Ailey Extension. Alvin Ailey Dance Foundation's mission is to further the pioneering work of Alvin Ailey by establishing an extended cultural community which provides dance performances, training and community programs for all people. This performing arts community plays a crucial social role using the beauty and humanity of the African American heritage and other cultures to unite people of all races, ages and backgrounds.

Jose Mateo Ballet Theatre

Sector: 
Arts and Culture
NFF and Jose Mateo Ballet Theatre have enjoyed a decades-long working relationship to build financial capacity at Ballet Theatre in support of the creation of first-class dance. Over time, NFF engaged with Ballet Theatre on several projects in both a lending and consulting capacity as the organization has grown and made strategic choices. This extensive relationship has included services such as loans, business analyses, quantifying the long-term financial needs of Ballet Theatre’s facility, alignment of drivers-based financial projections and strategy, and development of a results-based management approach.
Mission Statement: 
JOSÉ MATEO BALLET THEATRE'S MISSION IS TO: - create new ballets of excellence that are stimulating and culturally relevant to diverse audiences; - create an innovative approach to ballet training that welcomes diversity, and ensures unanimous participation and achievement by all students; - create sustainable, inclusive and engaging outreach programs that make ballet accessible to participants of all racial, cultural and economic backgrounds; and - reposition the role of dance in our culture and expand its purpose in the education of youth and enrichment of community locally and beyond.

Andrew W. Mellon Foundation Flexible Response Loan Program

In response to the economic downturn, The Andrew W. Mellon Foundation made a $1 million PRI to NFF to support a loan fund to key grantees in the arts and culture field in the New York Metropolitan area that lost funding as a result of the recession. This funding enabled these groups time to generate new revenue sources and replace lost or delayed funding. Additional loans continue to be made as the first round of funding is replaced.

Green Buildings Workshop (2003-2006)

In 2003, NFF launched a workshop series called Green Building Workshop: Helping Nonprofits Consider Green as part of The Kresge Foundation’s multi-year Green Building Initiative. The goal of the workshops was to encourage nonprofits to develop well-planned facilities that were environmentally sustainable. Many arts organizations nationwide attended these workshops.

National Alliances Program (NAP)

With early support from the Ford Foundation, the National Alliances Program (NAP) was established to assist community arts organizations with planned growth. Initially serving as a virtual site of the Cultural Facilities Fund initiative (CFF), NAP expanded NFF’s work geographically nationally beyond the cities where CFF had offices. The goal was to provide services to these other markets cost-effectively through coordination and collaboration with other national intermediaries.

Cultural Facilities Fund initiative (CFF)

NFF established the Cultural Facilities Fund initiative (CFF) in 1993 in response to key findings from our National Cultural Facilities Study. CFF became a collaborative effort, bringing together various private and government funders with financial institutions to support and strengthen arts and culture nonprofits. CFF was a core initiative at NFF through the late 1990s, by which time its work was absorbed into our general activities. Its lessons continue to inform much of our consulting, lending and thought leadership today.

All flexible funding is not created equal: GOS, capacity building grants and change capital

Publication Date: 
Mon, 12/05/2011 - 10:22am

Today, with the help of a particular kind of money--Change Capital--Alvin Ailey American Dance Foundation is attracting new revenue by building a technology platform and internal capabilities that maximize opportunities for patron and audience engagement.  Merce Cunningham Dance Foundation is raising money upfront to wind down its operations in a graceful way and leave a meaningful legacy. 

These are success stories.  But, when grantmakers and grantseekers fail to make the distinction between different kinds of revenue and capital, the consequences can be dire: desired outcomes aren’t met, organizational infrastructure is hollowed out, and communities go underserved.  Given these risks, the nonprofit field and funder community need greater clarity about the role of each type of money and what they can separately and collectively achieve. 

First, some definitions:

General Operating Support

GOS is unrestricted revenue, meaning it can be spent at the organization’s discretion – on anything. It might be used to fund programming, to offset administrative salaries or to pay the rent.  In a universe where many grants are tied exclusively to specific programs or projects—often without paying for an appropriate share of the infrastructure required to deliver them—GOS is a rare form of flexible revenue that can pay for mission-critical expenses that few (sadly) are yet willing to support. As such, annual GOS is an essential element of a healthy revenue mix for any organization. It is typically raised from select foundations as well as individuals and corporations, often through special events.

Capacity Building Revenue

Grants for capacity building, whether formally restricted or not, are revenue typically earmarked for building new organizational knowledge, staff and infrastructure. Board development, expansion of the marketing department and the purchase of new technology would all qualify as capacity building expenses.  GOS is often but not always used to pay for capacity-building activities. In that sense, the two can overlap. The difference is that capacity building dollars usually have a specific non-programmatic intention.  They are typically raised from foundations.

Change Capital

Change capital is a concept we developed at NFF to describe a flexible form of capital, distinct from revenue.